
Showing posts with label goddess. Show all posts
Showing posts with label goddess. Show all posts
Thursday, October 4, 2012
Kitsune - Fox Spirit
New illustration post, again.
I haven't been very good at this whole blog thing. The point is probably to say a tiny bit more about my art and (gasp) thoughts than just "here's a drawing", which is pretty much what my latest posts have been. Will try to elaborate a bit more in the future... And by that I mean not today :P
Anyway, here's one of my latest illustrations, out of the Shinto mythology theme I've got going... I've had this image of a Kitsune- or fox spirit- floating in my mind for a while...
More action coming soon...

Tuesday, December 20, 2011
More Shinto goddesses
I finally got around to finishing the triptych I decided to undertake when I finished Benzaiten. I'm not sure that I am entirely done with the whole ukiyo-e inspired style yet. I really enjoy the ethereal look, with the figures seemingly suspended in time and gently considering their surroundings. But for now, these are the deities I thought would complement each other nicely.
So there's Benzaiten/Benten, as previously introduced...
Then it's O-Ryu the willow goddess with Konohanasakuya-hime the cherry blossom goddess. I liked the contrast between the two trees/goddesses: An sturdy, tall green tree beside a dainty flowering tree...
Lastly, there is Amaterasu, the Sun goddess. I wanted her to look colossal, as the Sun shines on the entire world, but I wanted her to still look nurturing and poised...
Even though I didn't carefully plan how each picture would look when finished, I quite like the effect when putting them all together. There is a nice spectrum of elements going on with the goddesses and the colour schemes, Benzen being water, O-Ryu and Konohanasakuya earth and Amaterasu fire...
Tuesday, September 28, 2010
Work in progress - God of Birds
I seem to have been dabbling heavily in mythological/god-like figures lately. It's mainly because I enjoy the allegorical quality of such characters: It's like putting a human face on wonders of nature and life.
With that in mind, I was pondering one night on the fact that, aside from some animist societies, we represent deities, nature spirits and allegorical figures as humans or, at least, partly human. Even Death, despite being universal and a reality for all creatures, is traditionally portrayed as a human skeletal figure (my own piece featuring Death coming soon ;) ).
Therefore, I was wondering whether our fellow animals would personify objects of worship as their own species, if they were so inclined.
To explore that concept, I began with the God of Birds. I figured that birds would probably come up with a sun-deity. Since birds tend to begin singing at dawn, many birds who flock do an impressive 'dance' at sundown and migratory birds rely heavily on celestial bodies to navigate (the sun being the brightest), I pictured birds celebrating a surreal, vaguely bird-like god in the shining orb.
This is a first sketch, entirely digital (as opposed to a pencil/ink drawing) and the style turned out quite different compared to my usual stuff: The God of Birds-
With that in mind, I was pondering one night on the fact that, aside from some animist societies, we represent deities, nature spirits and allegorical figures as humans or, at least, partly human. Even Death, despite being universal and a reality for all creatures, is traditionally portrayed as a human skeletal figure (my own piece featuring Death coming soon ;) ).
Therefore, I was wondering whether our fellow animals would personify objects of worship as their own species, if they were so inclined.
To explore that concept, I began with the God of Birds. I figured that birds would probably come up with a sun-deity. Since birds tend to begin singing at dawn, many birds who flock do an impressive 'dance' at sundown and migratory birds rely heavily on celestial bodies to navigate (the sun being the brightest), I pictured birds celebrating a surreal, vaguely bird-like god in the shining orb.
This is a first sketch, entirely digital (as opposed to a pencil/ink drawing) and the style turned out quite different compared to my usual stuff: The God of Birds-

Monday, September 6, 2010
New piece - Sky Maidens
Another piece with mythological undertones. Since I've recently explored more Asian and Indian styles, I went with a Greek or Roman feel. At first, I had the goddess Selene in mind, but it turned into more generic allegories of the Moon and stars.

I guess I could post more images of the work progress. It looks nice and spiffy on a blog... But as I previously mentioned, I'm a bit lazy about it. It's good enough that I draw, no?? ;)

I guess I could post more images of the work progress. It looks nice and spiffy on a blog... But as I previously mentioned, I'm a bit lazy about it. It's good enough that I draw, no?? ;)
New piece - Mehndi
A new piece I did, inspired not by a specific goddess but by the art of mehndi or henna designs.

The figure is based on old, voluptuous Indian sculptures and I hope I successfully captured the 'rasa' as Vilayanur Ramachandran might say ;)

The figure is based on old, voluptuous Indian sculptures and I hope I successfully captured the 'rasa' as Vilayanur Ramachandran might say ;)
Tuesday, July 13, 2010
Benzaiten- New piece and Step-by-Step progress
I've created a piece to enter in a contest on an art forum. I was interested mainly for the possibility of a few entries to be included in an artbook. The theme was 'Ethnique- Women of Legend', so it was about choosing a female mythological or legendary figure from various cultures. Of course, I only found out about the competition 2 days before the deadline, but I do draw well under pressure ;)
As subject, I chose Benzaiten: The Japanese/Shinto equivalent to the Hindu goddess Saraswati, Benzaiten represents music, language, knowledge, poetry and speech.
Old Japanese prints were a big inspiration for style. The water and fishes represent the flowing nature of words and songs and the fact that both Saraswati and Benzaiten are associated with rivers. I've used chiefly tones of muted blues, orange and pink to represent the peaceful and feminine nature of the goddess. She is supported above the water by a moonfish (akamanbo) and accompanied by goldfishes: Both kind of fishes represent good luck, indicating her status of protector goddess and bestower of fortune.
Step 1- Pencil sketch (crappy digital picture, because I was too lazy to scan the large drawing in 2 pieces):

Step 2- Inking:

Step 3- A limited insight on the colouring process:

The finished piece!

A few closeups of details:

I've been wanting to draw a moonfish for a while now: I think they just look so gorgeous (and they're huge! Probably large enough for a dainty goddess to ride on, too!). Fishes in general are lots of fun to draw.

It would be awesome to be included in some anthology, but I'm quite happy with this one as a new portfolio piece, if nothing else. It was very enjoyable to create.
As subject, I chose Benzaiten: The Japanese/Shinto equivalent to the Hindu goddess Saraswati, Benzaiten represents music, language, knowledge, poetry and speech.
Old Japanese prints were a big inspiration for style. The water and fishes represent the flowing nature of words and songs and the fact that both Saraswati and Benzaiten are associated with rivers. I've used chiefly tones of muted blues, orange and pink to represent the peaceful and feminine nature of the goddess. She is supported above the water by a moonfish (akamanbo) and accompanied by goldfishes: Both kind of fishes represent good luck, indicating her status of protector goddess and bestower of fortune.
Step 1- Pencil sketch (crappy digital picture, because I was too lazy to scan the large drawing in 2 pieces):

Step 2- Inking:

Step 3- A limited insight on the colouring process:

The finished piece!

A few closeups of details:

I've been wanting to draw a moonfish for a while now: I think they just look so gorgeous (and they're huge! Probably large enough for a dainty goddess to ride on, too!). Fishes in general are lots of fun to draw.

It would be awesome to be included in some anthology, but I'm quite happy with this one as a new portfolio piece, if nothing else. It was very enjoyable to create.
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